In Tamamura and Patsch’s collaborative work, ‘Invisible Language’, Sho calligraphy is used to emulate the movement patterns of fingers as they type common text messages. When Tamamura moves her brush to map the movements of thumbs texting specific phrases, complex and compelling kanji-like symbols emerge. These symbols are part of a hidden language we have all learned, and every day we increase our fluency as we pick up our phones and our fingers glide from key to key. By revealing an unconscious process that accompanies digital communication, ‘Invisible Language’ uncovers a beauty in mindfully engaging with technology.
Anne Patsch is a New York based curator and artist. Her practice revolves around seeking out subtle or invisible phenomena around us. Her work has been shown nationally and internationally, including exhibitions at The American Embassy of Rome; Carnegie Museum, Pittsburgh; Collins Gallery, Glasgow; and Nautilus Art Temporary, Berlin.
Miyu Tamamura is a native of Kyoto who has practiced Sho, Japanese calligraphy, for decades. Her calligraphy designs have been sold as prints and cards nationwide. Her passion for calligraphy and the healing arts has lead to public art performances where audiences experience the power of creation in action.
Invisible Language is made possible in part with public funds from Creative Engagement, supported by the New York City Department of Cultural Affairs in partnership with the City Council and administered by Lower Manhattan Cultural Council. LMCC.net; additional support provided by the Nuyorican Poets Cafe and Arts Japan 2020.