On The Verge:
Gallery Takeover
March 7 – 30, 2025
Curated by Heather Litteer .

Kitty Boots
Mistress Boots
1. silver
2. pewter
3. black
24″ x 48″, Acrylic on Canvas

Sandra Hirshkowitz
Erotic Alchemy III, 1994
Lead (corset), plexiglass-glass (hanger)
33″ x 18″ x 6″
Sandra Hirshkowitz is an artist, designer, and archivist. While exhibiting her work extensively, Sandy pursued a career in museum exhibitions which ultimately led her to the David Bowie Archive in 2006. As lead archivist, that project continues today after a 5-year international museum tour, 4 books, and many other projects yet to come.

Madeleine Mackey
Verite Sans Peur
30×30, Acrylic on Canvas

Bambi the Mermaid
The Price of Eggs
20″ x 30″, Acrylic Mounted Print

Eva Mueller
Wall of Emotions (WOE)
8.5” x 11”, Unique archival pigment print and red ink on rag paper
Eva Mueller, a non-binary artist from Brooklyn, turns gender identity and social norms on their head. With striking works like their interactive gender puzzle, I AM THEM, and Wall of Emotions – WOE, Mueller mixes photography, painting, and sculpture dialogue. They’re all about breaking binaries and fighting censorship—art with purpose.
Wall of Emotions (WOE) emerged as my visceral response to the 2024 U.S. election results. The Republican victory and its right-wing agenda left me, a non-binary artist, and my LGBTQIA+ and allied communities speechless and flooded with emotions. On Wednesday, November 6, I began photographing similarly overwhelmed friends, inviting them to confront and express their feelings in front of the camera while connecting with others navigating our collective grief. These sessions became a space for release and connection as we were processing a new reality.
Each portrait captures an unfiltered close-up of raw emotion. I asked: How do you feel? and What do you feel? I turned the images into pure black and white to reflect the polarization of our society. I overlaid each portrait with the sitter’s handwritten emotional response in bright red – a color of urgency and alarm. I manually retraced the words with red ink and painted intuitively on each print, creating an emotional bond between each person and me.
By the time ON THE VERGE opens I will have captured close to 80 portraits, a testament to our collective resilience. WOE is meant to be exhibited in its entirety as it keeps growing. The series serves as a stark reminder of the emotional toll of this time. I will continue WOE until the incoming administration is replaced.
Each 8.5 x 11” portrait is available for individual purchase. While the exhibited pieces remain part of the collection, Mueller will create a one-of-a-kind artwork exclusively for each buyer.