Neil Totton is a multidisciplinary video, music, and theater artist who creates highly-energetic ritualistic performances grounded in sensibilities that speak to the issues of our times. His recent works, including Fit for Love: A Mixtape Ritual, Fit for Freedom: A Juneteenth Aerobic Concert, Wait For Today, Trouble Of The World, The Fit Prince of New York, Becoming Relevant, and Slave For Love have been developed or performed at TheaterLab, Brooklyn Comedy Collective, The Evolution Festival, Denton Black Film Festival, The Social Distancing Festival sponsored by the General Consulate of Canada, JCC Harlem, New World Stages, Lululemon Hub 17, The inHEIRtence Project, The GloveboXX Collective and Easton Mountain Music Festival. 
In 2025, he originated a leading role in We The Messiah, a hip-hop remix of Handel’s Messiah by Darian Dauchan and has been featured in the  musicals Hairspray (Seaweed), A Chorus Line (Richie), and The Color Purple (Bobby/Guard). He has danced as a guest artist with the Ballet Black in London UK, Walkerdance in New York, and Arthur Aviles BAAD Dance Theater. He has choreographed for the Sing Harlem Gospel Choir and has served as assistant choreographer for the North American and International Tours of “Aida” and “Jazz A’La Carte” at the Apollo Theatre in Harlem. 

He has appeared in the New York Times, Men’s Journal, and was selected as one of New York Magazine’s Top 10 Trainers for his work in the fitness industry. He has studied at HB Studios, Steps on Broadway, the William Esper Studio, Gotham’s Writers Workshop, the International Center of Photography, and the Electronic Music Collective. His EP Movin’ On is currently streaming on music platforms and he is humbled to be the Mikéah Jennings Artist-in-Residence.