Galleries

David Doobinin Dunnell Road September 22- October 18, 2020 Opening reception Tuesday, September 22nd 6pm-8pm For months, when the world was caught in the grips of global fear and lockdown, one street found its heart. It’s a story of resilience, community and childhood. A time when the place we lived became our home. Wild Project […]

RENEWAL GROUP WORK Poetic Theater Productions is honored to be back at the Wild Project for the 9th annual Poetic License festival of new poetic theater. This year’s festival’s theme is “RENEWAL”, embracing that which makes us new, fresh, or strong again. The festival’s showcases highlight the voices of military veterans, Queer communities, youth, new

A-Museum of Quickroots/Un-Museo de Raices Movedizas (“A-Museum”) December 10th, 2019 – January 31st, 2020 Opening December 10th – 5:30pm – 7:30pm. A-Museum of Quickroots emerged in response to a question: why don’t museums represent the experience of undocumented migration? A-Museum’s itinerant exhibition program presents images, objects, texts, and performances as documentation of migrant experience. Wild

Elizabeth Schwaiger, Kairos  September 30th  – November 29th Opening Reception: Tuesday, October 8th, 6-8 pm Kairos: a propitious moment for decision or action. In Elizabeth Schwaiger’s exhibition Kairos, the artist addresses apocalyptic anxieties through the skilled painting of palpable absence. The work captures a singular, quiet tension, like that found in documentation of deserted homes and schools

Patricide August 19, 2019 – September 14, 2019 Opening Reception: Thursday, August 29th, 7pm – 9pm Panel Discussion led by Courtney Webster and Meg Turner: Sunday, September 8th, 1pm – 3 pm Courtney Webster and Meg Turner’s collaborative project Patricide interrogates western culture’s historic portrayal of the heroic body as being almost exclusively a white

Robert Owusu III Opening Reception August 1st 6:00pm-8:00pm From the era of 2006-2010, there was a paradigm shift developing in society. This transition was an induction for open-minded individuality to finally have a voice in contrast to what the culture was accustomed to in music, art, and fashion. Pharrell’s “IN MY MIND” and Kanye West’s

Kaveri Raina and Kerry Downey The exhibition K.2 features the work of Kerry Downey and Kaveri Raina, and is co-curated by Anne Patsch. Downey’s and Raina’s work resides in the world of abstraction. They both conjure subtle physical forms that resist simple names and discrete definitions. In K.2, their work moves rhythmically, swaying together into

Jacob Quinn Graffiti I Made Up May 14 – June 29 With “Graffiti I Made Up,” Jacob Quinn presents detailed, photorealistic renderings of the city’s architecture embellished with forms that spring from the artist’s imagination. Scribbled shapes make subtle appearances on the walls and in the shadows of empty urban spaces. The series seeks to

Private Eye April 23, 2019 – May 11, 2019 In Private Eye, Christian Hincapié and Iris Ward Loughran search the streets of New York City for signifiers of time’s passage. As they investigate the visual and material phenomena of urban life, each artist approaches their work with a discrete system for documentation and a unique

ships+at+sea Opening reception: March 19th 6pm-8pm Andrea Legge continues her practice of altering commercial media, this time using stock photography of tall ships and promotional materials for yachts. These images were (legally) obtained online using internet searches of the words ‘ships at sea’. The images are printed on archival canvas and stretched, or printed on

The Singular Loneliness of New York City Loneliness is New York’s leitmotif. This feeling is palpable everywhere in the city—a place filled with 8 million people, many of whom are immigrants and transplants. There are different shades of it: the loneliness of an Uber driver who fled Venezuela, leaving his family behind, sighing with relief

Curated by Anne Patsch Tori Drost’s paintings are rooted in her firsthand impressions of the natural world: glimpses of yellow light reflected on the black water of a lake at night, or blocks of ice floating onto a road as a river breaches its banks. Her process is memory-driven; she works without the use of